La Fugitiva Mejico Maxico



Lets have a dystopian future movie where none of the actors are white

Not a single one

No reason

No explanation

There’s just no white people and not a single character questions it

Watch how quickly people notice and get pissed off

but wouldn’t it be better to put one white extra in the far background of a huge crowd shot for a few frames, so we could point to them every time someone gets pissed off?

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Oaxaca, Mexico.



Oaxaca, Mexico.

(via mexicanfoodporn)

(Source: the1d975, via gotpronmymind)

the conditioned - el condicionado - poeta raimundo a sobrinho



If someone tells you a racist, sexist or homophobic joke, don’t get mad at them. Just tell them you don’t get it. Keep telling them you don’t get it until they are forced to explain why women/minorities/homosexuals are stupid/etc.

Then just walk away.

This is actually the best possible reaction, because this way you don’t just get them mad, you get them to think

(via nimceee)


What should you eat on Earth Day? via Grant Snider


What should you eat on Earth Day? 

via Grant Snider


Thumbing Her Nose at the World Below ~ Early 1910s Paper Moon PC


Thumbing Her Nose at the World Below ~ Early 1910s Paper Moon PC

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(Source: classicmovieactorss, via lostouryouth)


The season of leg shaving is upon us.

(via joanniebanannie)

Make ‘em laugh!

(Source: keptyn, via missavagardner)

(Source: buckysbarnes, via gotpronmymind)


How to use the sun to tell time when you’re in survival mode. via Quora


How to use the sun to tell time when you’re in survival mode. 

via Quora

The 13 Most Common Errors on a Novel's First Page


  • Over-explanation. This includes prologues. “Prologues are never needed. You can usually throw them in the garbage. They’re usually put on as a patch.”
  • Too much data. “You’re trying to seduce your reader, not burden them,” Friedman said.
  • Over-writing, or “trying too hard.” “We think the more description we add, the more vivid it will be; but we don’t want to be distracted from the story” we open the book for.
  • Beginning the novel with an interior monologue or reflection. Usually this is written as the thoughts of a character who is sitting alone, musing and thinking back on a story. Just start with the story.
  • Beginning the novel with a flashback. Friedman isn’t entirely anti-flashback, but the novel’s opening page is the wrong place for one.
  • Beginning a novel with the “waking up sequence” of a character waking, getting out of bed, putting on slippers, heading for the kitchen and coffee…a cliche
  • Related cliche: beginning the novel with an alarm clock or a ringing phone
  • Starting out with an “ordinary day’s routine” for the main character
  • Beginning with “crisis moments” that aren’t unique: “When the doctor said ‘malignant,’ my life changed forever…” or “The day my father left us I was seven years old…”
  • Don’t start with a dialogue that doesn’t have any context. Building characterization through dialogue is okay anywhere else but there.
  • Starting with backstory, or “going back, then going forward.”
  • Info dump. More formally called “exposition.”
  • Character dump, which is four or more characters on the first page.

(via sredniv)

The “Everybody is done with everybody” Wedding

(Source: robbsthark, via wicnet)


Food Porn (Censored Trailer) by The Bold Italic 

For the full, uncensored version, go to:

Director: Andrew Callaway
Videographer: Gavin Murray
Producer/Set Design: Jessica Saia

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